KUWAIT, Jan 23 (KUNA) -- Over more than two centuries, Kuwait's epic of resilience was etched through three defensive walls whose story began in the 18th century, evolving from simple mud structures into enduring symbols of existence that embodied solidarity and documented pivotal moments in the history of the state and its people.
Construction of this historic landmark began in 1760, during the reign of Sheikh Abdullah bin Sabah (1762-1813), the first and second walls were built to protect Kuwait from external attacks.
The first wall extended 750 meters along the coastline north of the Bahita slope, the site of Seif Palace, its eastern boundary started from the shoreline opposite the current Ministry of Planning and curved in a semi circular arc to the coast facing the Central Bank to the west.
The second wall stretched for 2,300 meters, enclosing an area of approximately 274 square kilometers, and was restored in 1845 after parts of it had collapsed.
Following the Battle of Hamdh, the entire population mobilized in an inspiring 60 day effort to build the third wall in 1920. Each neighborhood constructed the section closest to it at night under the light of primitive lamps, with donkeys transporting mud, camels bringing water, and men chanting in public squares and performing the traditional Ardah dance (folkloric sword dance) that broke the stillness of the night.
Kuwait's walls were not merely silent barriers, but vibrant structures brought to life through their gates, known as Al-Dirwaza These imposing entrances were carefully designed to accommodate camel caravans laden with goods, serving as the city's beating heart by ensuring movement and security.
The gates were closed at sunset and reopened at dawn in a daily ritual that reflected the city's discipline and stature.
In 1957, with the launch of Kuwait's modern urban development, a difficult decision was taken to demolish the third wall to accommodate expansion, whereas the mud structure disappeared, its five gates remain standing amid modern buildings and green parks, living witnesses to the story of a people who refused to bend.(end) str.hs